BASSBOSS CCM12-MK3 Manual
Read below š the manual in Italian for BASSBOSS CCM12-MK3 (14 pages) in the Speaker category. This guide has been helpful for 10 people and has been rated 4.5 stars on average by 2 users
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Single 12ā
Powered Monitor
CCM12-MK3
User ManUal
CCM12-MK3 User Manual
2
Table of Contents
Overviewī 2
QuickīStartīGuideī 4
OutboardīProcessorīWarningī 5
SetupīProcedureī 5
OperationīandīControlsī 6
IndicatorīLEDsī 6
HowītoīUseītheīPresetsī 7
Pre-InstalledīOnboardīPresetsī 8
PowerīDistributionī 9
Troubleshootingī 9
Specificationsī 10
Warrantyī 11
SafetyīInformationī 12
ImportantīNotesī 13
FCCīComplianceīNoticeī 13
Overview
The CCM12-MK3 is a Compact Coaxial Monitor with a host of features intended for professional
performers which also functions as an excellent main or fill monitor for venues with limited space.
C = Compact - Small footprint, small frontal area, lightweight. The front of the cabinet is 50% smaller
than most 12ā monitors that have a separate tweeter horn. This takes up less space on stage, and
anywhere else you might want the power of a 12ā 2-way monitor. The driver features a Neodymium motor
and the class D amplifier has a lightweight, switch-mode power supply. The cabinet is Birch plywood,
which is heavier than plastic, but the strength of the wood allows the cabinet to be made smaller, and
sound better.
C = Co-Axial - Absolutely consistent coverage pattern, highly resistant to feedback. This co-axial driver
delivers an 80-degree conical coverage pattern that is consistent oī-axis. The advantage to this is
two-fold. First, the consistency allows the performer or listener the freedom to move around within the
Single 12ā
Powered Monitor
CCM12-MK3
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pattern without the character of the sound changing. Conventional 2-way monitors have the tweeter
above, to the side or below the woofer. This results in a diīerent frequency response as you move left
to right or forward and back. Itās much more diīicult to prevent conventional monitors from feeding
back because the response peaks change in frequency as you move through their inconsistent patterns,
leaving you chasing feedback every time a mic moves. A Co-axial is far more consistent no matter where
you move, which is better for performers and audiences alike. Aside from delivering a more consistent
and intelligible sound field, perhaps the biggest advantage of the consistency of the symmetrical pattern
co-axial monitor is its relative immunity to feedback.
M = Monitor - 3 diīerent upward angles plus straight ahead - and - fly-points and brackets for ceiling
and wall mounting. It has 3 diīerent upward angles. The first angle is set up for standing performers who
like their monitors at their feet. Weāre thinking about vocalists, with or without instruments, who need
clear monitors when they step up to the mic and appreciate being able to step back out of the monitor
coverage when they want to. The second angle is for seated performers that need the monitor to be
aimed a little lower. Whether playing keyboards, drums or slide-guitar, the monitor should be pointed at
your head, not over your head. This lower angle can also be used to cover a larger area farther from the
monitors, such as for a choir, background vocalists or a horn section. The third angle is for placement
on a subwoofer or a table. Here weāre thinking about drummers who would want the monitor on a sub,
of course, or anyone who works with electronics on a table, and wants near-field monitors they can put
on their work surface and actually aim them in the right direction. Thereās one more placement angle for
the CCM to be used as a monitor and thatās straight ahead. The CCM has a pole socket that allows it to
be used on a stick above a sub, or on a tripod, for DJ monitors or stage side-fills. While itās not strictly a
āmonitorā position, the CCM can also be used as a front-fill on the stage edge or on that center-cluster
subwoofer array. And when you need a monitor mounted to the wall or to the ceiling, the CCM has M10
fly-points. The internally reinforced fly-points can also be used to attach the CCM to a wall or ceiling
mounted bracket.
12 = 12ā woofer, this one with a 3ā voice coil, delivers the low frequencies. A 3ā coil, 1.4ā throat compression
driver firing through the center delivers the highs. The cone of the woofer serves as an extension of the
machined aluminum conical horn that comprises the wooferās pole piece, making it possible to generate
very high output from a very small total surface area. Both share a common Neodymium motor structure
and a cast aluminum basket. The woofer is housed in a sealed Birch enclosure to provide extendable
frequency response, consistent phase response and tight transient response.
MK3 = Completely integrated processing. Eight on-board presets allow for a variety of configurations
at the touch of a button. The on-board presets provide a variety of settings that are optimized for floor-
monitor duty, including settings that account for the boundary loading at each wedge angle as well as
settings to extend LF output with limited SPL and to maximize SPL when used with a subwoofer. The
proprietary BASSBOSS processing ensures exceptional sound quality thanks to its premium quality,
high-fidelity electronics. Its ultra-low noise CODECS, 96kHz sampling rate processor and high-resolution
amplification are some of the finest in the industry.
Powered Loudspeaker = The amplifier in the CCM features a Class D SMPS with PFC, providing two
channels, 900W LF and 300W HF. Yes, this is a bi-amped wedge. The sealed enclosure provides the
flexibility to choose between low-frequency extension or high-SPL operation from the same compact
loudspeaker. BASSBOSS loudspeakers are protected for safe, high-power operation. Optimized signal
processing, premium quality drivers, power-matched amplification and comprehensive protections
ensure that no matter the demand, they keep their cool, keep their character and keep on working.
Product Specifications
| Brand: | BASSBOSS |
| Category: | Speaker |
| Model: | CCM12-MK3 |
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